Bullies

Bullies

for Fabio Barcellandi

When I make my routine phonecall home

we never talk about long ago, except for vague references.

Mom says Things were different back then,

then updates the local pages, with all the latest

births deaths disputes christenings and marriages.

She’s right: after all, childhood trauma makes for adult tedium

even when there’s heaps of profit in it.

Ask someone in the avant-guarde of listening,

a literary agent say, a slush-pile reader, or a prostitute,

a small-town barman or a school pyschologist.

Unlike mom I can’t seem to stop myself remembering

although I sometimes wonder if such cruelty

as I can recall going through and witnessing

could really have been allowed to exist as it did, that is

with the complicity of thousands in an average Irish town.

You see the little brute who made me chew worms

with bleeding gums was only a compact, a figurine,

a garden version inspired by the cell of fat-sadists in ‘teacher’ masks

who lined up in a five year long gauntlet

of terror for infants at the heart of parish,

in the midst of our ‘community’.

Forward focus?  Let bygones be bygones? Positivity?

Get lost. We’re silent about past crimes because violence works,

because a force field of implicit violence

is ever present in our pyramidal world.

It clamps us like a forceps at the moment of our birth.

It locks us down in institutions when we’re young.

It never for a moment stops prodding us along

It’s fuel is money and it’s powered by an engine

of inexhaustible greed at the top.

Strike out against the grid and you are guaranteed

to activate a truncheon surge,

wave upon wave of pepper spray, a plastic bullet whirlwind,

a stun-gun tsunami, death squads, rendition planes

black-ops’ bombs, and boiling bathtubs full of electricity.

Against all that I can give you only my defiance

in the act of remembering a vanished schoolyard,

a fat serrated finger-end poking at and tearing me,

my bully-boy telling me repeatedly,

west-corkonian high-pitchedly,

you’re dead, do you hear me, you’re dead

you’re dead, do you hear me, you’re dead

you’re dead, do you hear me, you’re dead.

After school I would be phalanxed

by 9 year old guards and led

to a fag-butt, fuck and flagon field,

a walled-in outlaw patch we called The Orchard

and forced into a ‘scrap’ with him.

Dozens ringed us, cheering him on

as he cork-screwed my neck, shoved fistfuls of muck

in my mouth, bored his knuckles into my scalp,

telling me You’re dead do you hear me your dead

You’re dead do you hear me your dead

You’re dead do you hear me your dead.

Sure it was himself all along he was killing.

His spitting hubris and his hexing tongue

deafened the world to his subsequent pleading.

When his rural midnight swayed him near

to vertiginous cliffs of sheer despair

he scanned the sky for staying signs

but the universe of grace withheld

and the ship of hope, drawing up its anchor,

sailed off into a storm of oncoming time with his future.

A shale-coloured shadow oozed out of everything,

trees, windows, sunlight, footpaths, bar-stools, bottles,

his own dark-mirrored face. Night numb and endless

got ready to absorb him. Then Death the Nomerciful

came thump thump thumping at the doorway of his life

and it was a mute and towering executioner

with a face made of scabs and rust

swinging fists of a nothingness unendurably dense

which drove and drove and drove

and went on driving him down

into an inevitable hole in the ground.

He was no tougher then,  no more frightening

and no taller than those ant-sized words

automatically rapped out

into pre-existing sentences,

a standard entry in the local pages,

another soon-to-be forgotten statistical incident.

A few days after his funeral,

my unremembering mom passed on the news

that he had taken his life,

as if I should commiserate.

I hung up. I felt a light-headed uplift of joy.

I let out a screech of delight. I was alone in my bedroom

and no one was listening.  Save him, I like to imagine.

I’d like him to know exactly what I said.

I said You’re dead do you hear me you’re dead.

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The Last Cathedral

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Invisible Horses