The Last Cathedral
The Last Cathedral
Though ‘the ivory stadium’ has a good ring to it,
I doubt there are even enough elephants left
in the world to make ivory goalposts with.
This stadium is of a white synthethic material,
hard smooth shiny self-cleaning weatherproof
kind of stuff we called ‘space age’
back when we used to have a space age.
At night, when it shines automatically,
it looks like a kind of Ayer’s rock made out of luminous fibre-glass,
an interstellar pegasus half way through forming itself
out of lightning and chalk.
It marks a meeting point,
or a face-off,
or a treaty between
the two last remaining
and practically endless parts of the world,
the practically endless city and the practically endless desert.
The desert is stupid but voracious. Like a creature
made out of only stomach and mouth.
It can do nothing but eat.
Whatever it eats becomes another eating part of it.
At night it sneaks up on and scratches at the glimmering stadium,
fantasises grinding it down and eating it, making it eat.
The city threatens the desert with mergers, water, sewers, shovels, asphalt, architects and angles.
No person can say for sure which place is more repetitious,
the endless city or the endless desert.
No one can tell if there are more
or less people in the city than there are grains of sand
in the desert. Certainly there more people in the city than
there are possible faces and poses and expressions
and even actions to go around. People are
always casually running into other versions of themselves
doing exactly the same things
at what seems to be, but are not,
exactly the same locations.
Some say that the authorities carry out massive secret culls
for which there is never any evidence.
It is also happens that, while gliding up a mile high escalator
in the mall or on your way to work,
you find yourself eye to eye with
a toddler staring back down at you
over her father’s shoulder
neither timidly nor with curiousity
but with that hard-boiled-sweet-eye
of contempt.
She lobs a spit or a ball of
snot or some other toddlers’ goo at you
that might land
like a rain of snails on your bottom lip
or like ectoplasm on the collar of your shirt.
It is this practically endless city of
practically endless repititions that has cornered itself
with this white gigant of a stadium.
A million seater. Stands as tall as Manhattan was.
Terraces longer than your old style city-wall.
Screens the size of aircraft carrier runways.
Everything white. Totally white.
There are zero spectators, no referee, ground staff,
medics, cheerleaders, ball boys, coaching staff or managers.
I have often asked myself what it is this stadium is for
and I now think that it is either a reservoir
or a dump.
Though it could be both interchangeably, or at once.
Of soured hope.
Of stagnant wishes.
Of disappointed expectations.
A vast hollow full of extra gravities, the tug and voiding densities
of a city worth of failure;
the past, present and future of its abscences and lack.
Lack of eyes to watch, throats to cheers, fists to shake, hands to come together
in an invocation or a handshake or a clap.
Five hundred thousand klaxons of worth silence that if you were ever
to fly anywhere near in a chopper
would draw down and widen all the countless tiny holes
you are carrying inside of you
until the air closed over you
like a bodybag.
There are two teams on the white plastic pitch.
A female team and a male team.
All dressed and made up identically from head to foot
in white with no markings
and so impossible to humanly detect.
Though they feel (averagely, that is, since some
of them are fanatically convinced of it, others
not atall convinced) that they may be being observed
and having their movements traced and calculated
for points by electrosensory devices a very great distance away.
They do not know what kind of game,
if any, they are supposed to be playing
or how long they are expected to wait before being
told or, fat chance of it, released.
Some believe that they are robots in hell
who must forever undergo
the torture of nobody watching.
Others think that they have been put together
out of the free-floating limbs of torpedoed men
and ancient shipwrecked marble statues.
The only thing to do is stand deathly still
and be beautiful.
A few have flopped down randomly
wishing that they could go blind
and escape from all the whiteness,
believing that the whiteness is a mask
of something dormant but horrible
that anyday now will unveil itself
and the purpose.
These white people of the stadium
yawn sleeplessly all of the time,
and can neither laugh nor cry
being too dried-up for tears,
too defeated even for dying.
They have that listless way of behaving
that polar bears have
after twenty one years in a cage.